Welcome back to the blog of Fantasy Road, where dust-covered long boxes meet dry humour and serious buying power.
Today we’re diving into a recent collection we picked up in Sheffield, United Kingdom... Yes, we travelled north, to the land of Greggs shrines and Football... And apprently a sizeable batch of US-format Silver and Bronze Age comics. We’ll walk you through what we found, why it was interesting, how you might spot similar collections, and ultimately how you can sell comics to us with ease. (hint: we can make that happen via our “we buy” service). Think of this as part expert commentary, part collector’s confession, part cheeky blog rant.
As a collector (yes, one of “us”), when I opened the boxes in Sheffield, I immediately noticed:
A full run of a mid-1970s title (say, issues #1–30 of a lesser-spoken Marvel or DC book) in pretty good shape (VG+/FN)
Key first appearances and mid-grade Bronze Age variants, for example an issue with the first UK appearance of a major hero, or a variant cover with convention tie-in
A handful of Silver Age gems sprinkled in (late-1960s to early-1970s) - not complete runs, but several single issues that punch above their weight
Here’s a breakdown of the stand-out items in the collection (yes, surprisingly I wrote notes. I'm still rubbish with documenting stuf for social media, but it's a step in the right direction! I uh... Also lost the notes and had to remember all of this from memory.).
A late–1960s issue of The Brave and the Bold featuring a team-up with a then-lesser-known hero. With a cover showing moderate wear but crisp interior pages.
A very early appearance of a villain (let’s call him the Mirror Master-type character) from a DC slice where the art is really crisp.
A run of issues #50–90 of The Avengers (US format) including a variant cover (UK-market variant) in the mid-70s.
The first UK appearance of Wolverine (US comic, imported and US format) - yes, that always raises eyebrows from sellers when we say “UK first appearance”.
A lesser-known but quality title: Jack of Hearts #1 (US format), with a convention-exclusive variant tucked in the back (unbagged).
A full run (well, nearly full) of White Tiger from the Bronze era - not high value like some Marvel capes, but terrific for the right collector.
We found the comics in board-bags (thank you seller) though some had warping. We separated them into “vault” and “regular” piles: anything price-guide £100+ got the “vault” status and we treated it accordingly (archival bag+board, climate-aware trunk). For sellers reading this: if you’re prepping to sell your collection, bag & board makes a noticeable difference (and we’ll talk below about when to grade vs when to sell as is).
From our “buying at Fantasy Road” angle (which helps you understand how we evaluate, and helps your own sell-to-us mindset), here’s a snapshot of our process:
Initial call & photos - The seller called us, we asked for photos of key issues (especially any first appearances, variants). We requested bagged comics where possible, and some page-checks (for foxing, tanning, staples).
Pre-visit research - We ran quick checks on eBay UK completions to get a realistic “street” value.
On-site assessment - In Sheffield: check lighting (so you can see defects), check smell (yes, comics can smell weird. Once you do this as long as us, you can literally smell water damage, or mould. It's probably the most shite superpower we've ever come across.), check if any water-damage, warping, tears. Negotiate.
Offer & collection - We made an offer, collected on the spot. Seller got paid and the move-to-our storage began.
(Yes, the collector side of me is having an existential crisis while writing this, but hear me out.)
Market timing: Comic book values can plateau or decline; holding a collection indefinitely carries risk (condition degrades, storage costs, taste shifts).
Storage and care: Proper storage requires cost (bags/boards, climate-control, dealing with light/humidity). Fun fact - Did you know that you're supposed to replace you bagfs and boards every 2-3 years to prevent damage agains tthe comics stored within them? (Unless they're maxlites/mylars).
Opportunity cost: That money could be used, invested elsewhere, or simply freed up.
Finding the right buyer: If you’re looking to sell comics online in the UK, you want someone experienced. At Fantasy Road we buy everything comic book related, we evaluate condition, and we handle logistics. The alternative can be dozens of eBay auctions, shipping nightmares, and partial sales.
Legacy/transition: If you inherited a collection or are looking to downsize, you may simply want to “exit” cleanly.
As a collector (me), you’ll occasionally say: “hang on, some of this might be more valuable later”. Here are factors you might want to consider:
If the issue is near-mint/mint, in a popular key number (first appearance of a major character), you might consider getting it graded (e.g., by CGC) rather than selling right away.
If you have a complete run of a niche title and there’s limited supply out there, there may be value in holding.
If the collection has sentimental value and you will keep it and properly store it (climate, bags, boards) then keeping it may be fine.
If you don’t have to sell - but if you do want to sell, know that buyers like us look at condition, key issues, completeness, and provenance (photo proof, bagging, etc).
(And yes, I know what you’re thinking — “should I sell or preserve until I’m 90 and the comics end up in my grandkid’s museum?” The answer: maybe both. But maybe sell now and give them the museum fund.)
Here’s a checklist - straight from our buying desk - for anyone thinking “Ok, I want to sell my comics online in the UK, what must I do to give myself the best shot?”
| Step | What to do | Why it matters |
|---|---|---|
| Sort & Inventory | List each box/run, key issues, duplicates. | Buyers want clarity; less guess-work means a faster deal. |
| Bag & Board | Ensure issues are in bags and boards (preferably archival). | Shows care, helps condition, improves perception of value. |
| Photograph Key Issues | Take clear images of cover, inside page, any defects. | Helps remote offers; for local buying it speeds negotiation. |
| Check Condition | Look for tanning, spine splits, water damage, foxing. Note defects. | Buyers discount heavily for condition problems. |
| Group By Run/Series | Organise into runs, single keys, bulk common issues. | Allows buyer to evaluate completeness and value. |
| Be Transparent | If some are duplicates, or missing issues, say so. | Builds trust; hidden problems reduce offers or kill deals. |
| Know Your Format | US format vs UK format; US format often has higher collector demand. | Clarifies market. We buy US-format comics specifically. |
| Have Access | Be ready for inspection, load up the boxes, shipping logistics. | Buyers like us value ease; reduces friction and cost. |
Want to learn more? click here.
Here’s a behind-the-scenes look at what we at Fantasy Road do when a seller contacts us (this transparency helps sellers trust us, and it helps search engines treat us as expert content).
Initial Inquiry - You contact us via our “Sell to Us” page. We respond with questions about quantity, titles, condition, key issues, images.
Estimate & Offer - Based on provided info (titles, condition, volume), we give a preliminary estimate (subject to inspection).
Inspection - We inspect either in-person or via detailed images/videos. We check bag/board, condition, completeness.
Final Offer - We provide final offer (usually a % of gross, we handle collection).
Collection, Payment, Ownership Transfer - Once you accept, we collect the collection (we’re UK-wide), pay you, we take ownership.
Post-Sale - We may offer additional advice (e.g., for unsold items, storage, listing individually) - though our primary goal is acquiring.
Answer: If you’ve got it boxed, bagged, photographed and clear of “I might dig through these tomorrow” procrastination, you could have it sold within the day. If you’re still “just thinking about it” and there’s a fortnight’s worth of tea-stains and dog-hair in the boxes - well, you’ll still sell, but you might spend more time cleaning than waiting for us to arrive.
Answer: Nope. For many collections, especially bulk runs without ultra-high keys, selling ungraded makes sense. Grading costs money, takes time, and may not pay off unless the issue is high-quality, high-value, and market demand is strong. If you’re not sure - chat to us. We're CGC facilitators, and can help. Most of the time it's worth sellinng as-is and still get a solid number. On the flip side, if you have a near-mint copy of a major key, grading might boost value. Use caution.
Answer (dry tone): Because you don’t want eBay drama, listing nightmares, shipping problems, “buyer wants refund because dog chewed cover”. If you’re keen for hassle-free, one-stop deal, a buyer like us fits. If you’re keen for maximum profit and have a lot of time, listing individually may be your thing. Choose your own adventure. We're here for convenience, we're honest, and transparent.
Answer: Possibly. But you might also pay in storage cost, condition deterioration, or even miss market momentum. If you’re holding for the long term just for speculation, sure - but if you’re ready to move, now’s a good moment. The market is currently in decline, and has been for over six years but that doesn't mean it will stay that way. Trust me, if we knew a solid definitive for an answer, we'd be a lot richer than we are now.
So, to wrap up: if you’re sitting on a stash of US-format comics - whether Silver Age, Bronze Age, or even modern runs, and you’re thinking “maybe I should sell my comics now” or “how do I sell comic books online?”, then consider the following:
Get an inventory together.
Follow the preparation checklist above (bag/board, photographs, run-grouping).
Decide if you want to handle selling yourself (auction, listing) or go the route of a buyer like us (fast, one-deal).
Reach out via our “Sell to Us” page and we’ll give you a no-obligation quote.
Meanwhile, read up on our other resources - for example our blog page (see the “Comic Book Resources” section) or our videos page (if you like seeing buyers who spilled coffee over records).
And finally: whether you keep collecting or you cash out, take care of your comics. Clean storage, proper bags and boards, climate-aware conditions- don’t let your future payday be eaten by a damp attic. The amount of people that have come to us with books that could have been worth tens of thousands of pounds, had they have been stored correctly, is heartbreaking.
Until next time: may your covers be glossy, your staples untarnished, and your decision to sell timely (or gloriously delayed).





